新徽派油画的艺术“视向”、“空间”形塑与价值意蕴探析  

Exploring the Artistic Orientation,Spatial Shaping and Value Implications of Neo-Anhui Oil Painting

作　　者：汪保群 WANG Baoqun

机构地区：[1]淮南师范学院美术与设计学院,安徽淮南232038

出　　处：《淮南师范学院学报》2025年第1期117-124,共8页Journal of Huainan Normal University

基　　金：安徽省哲学社会科学规划项目“‘新徽派油画’的地域特色及其审美研究”(AHSKY2020D112)。

摘　　要：“新徽派油画”是现代美术研究的重要向度,其不仅具有“个性美”的艺术理想“视向”,且具有“共性美”的境界拓展“视向”。“新徽派油画”在辩证发展中所承载的复杂性,使研究者不能再以时间为唯一维度,构建其空间形塑,而是应基于地域文化、艺术“淬炼”和“中国气派”三个视角,对“新徽派油画”进行综合性探讨。同时以此为信息挖掘的切入点,充分提炼“新徽派油画”的学术、博物、创新等价值意蕴,以此丰富美术研究维度,助力中国美术发展空间的重塑。The complexity inherent in the dialectical development of the"Neo-Anhui School of Oil Painting"precludes the use of time as the sole dimension for constructing its spatial formation.Instead,researchers should adopt a comprehensive approach from three perspectives:regional culture,artistic refinement,and the embodiment of a"Chinese aesthetic."These perspectives should serve as the entry points for information excavation,allowing for a thorough distillation of the academic,museological,and innovative values embedded in the""Neo-Anhui School of Oil Painting."By enriching the dimensions of art research in this manner,the study aims to contribute to the reshaping of the developmental space for Chinese fine arts.

关 键 词：“新徽派油画” 艺术“视向” “空间”形塑 价值 

分 类 号：J213[艺术—美术]