断裂、解构和时间的终结:网络微短剧的叙事危机  

Fracture,Deconstruction and the End of Time:The Narrative Crisis of Online Micro-dramas

作　　者：张梦晗 沈文乾[1] Zhang Menghan;Shen Wenqian

机构地区：[1]苏州大学传媒学院 [2]苏州大学计算传播交叉学科青年创新团队

出　　处：《媒介批评》2024年第2期63-77,共15页Media Criticism

摘　　要：网络微短剧作为后现代社会的文化现象,在日益加速的社会背景下,凭借其情节内容的凝练丰富与时空情境的小巧精致,构建了一种联结传统与现代的新型视觉文化形态。然而,这一现象也导致叙事转向意义的空洞化和虚无化。本研究从现代性理论的视角出发,探究当下叙事危机的表征及其背后动因,旨在揭示网络微短剧作为现代信息产品,是如何导致叙事意义的流失,并最终迈向叙事终结的风险的。网络微短剧在人物标签化、情节高悬念、叙事扁平化等多重维度的表现中,凸显了叙事的异化特征。深入分析后发现,数字信息的过度泛滥、消费主义的无限扩张及加速文化的暴力性影响,成为微短剧叙事危机的根源。人类叙事面临着前所未有的挑战,即在失去耐心与深度讲述之后,陷入了对叙事向何方去的深刻迷思。As a cultural phenomenon in postmodern society,online micro-dramas,in the context of accelerating society,have constructed a new type of visual cultural form linking tradition and modernity by virtue of its condensed and rich plot content and small and delicate space-time situation.However,this phenomenon also leads to the emptying and nullification of the meaning of the narrative turn.From the perspective of modernity theory,this study explores the characterization of the current narrative crisis and its underlying motives,aiming to reveal how online micro-dramas,as a modern information product,leads to the loss of narrative meaning and ultimately to the risk of narrative closure.In the multiple dimensions of character labeling,high suspense plot,and narrative flattening,online micro-dramas highlight the alienating characteristics of narratives.In-depth analysis reveals that the excessive proliferation of digital information,the unlimited expansion of consumerism,and the violent influence of accelerated culture have become the root of the narrative crisis of micro-dramas.Human narrative faces an unprecedented challenge,after losing patience and depth of narration,it falls into a profound maze of where to go in the direction of narrative.

关 键 词：网络微短剧 叙事危机 信息漫溢 现代性 

分 类 号：I20[文学—中国文学]