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作 者:李增[1] 刘婉竹 Li Zeng;Liu Wanzhu(School of Internaitonal Studies,Northeast Normal University,Changchun,Jilin,China)
机构地区:[1]东北师范大学外国语学院
出 处:《四川师范大学学报(社会科学版)》2025年第2期146-154,206,共10页Journal of Sichuan Normal University(Social Sciences Edition)
摘 要:拜伦以美狄亚为原型塑造了“拜伦式女英雄”,她们体现了一种以“前理性”情感为纽带维系群体关系,并遵循“集体良心”行使“复仇性正义”的女英雄伦理。拜伦对“女英雄”的塑造展现出他对婚姻本质、家庭模式与文明社会中所宣扬的“法律”与“公道”之间关系的深刻思考,旨在颠覆自18世纪下半叶开始逐步形成的“妇德楷模”的女性神话,重在揭示这一神话是当时资产阶级为取得政治文化主导权所建构出来的、具有欺骗性和压迫性的伪神话。Byron used Medea as a prototype to create“Byronic heroines”,who embody a heroine’s ethic that maintains group relationships through pre-rational emotions and exercises“vengeful justice”following a“collective conscience”.Byron’s portrayal of“heroines”reflects his profound thoughts on the essence of marriage,family models,and the relationship between“law”and“justice”in civilized society.His aim was to subvert the“myth of womanhood”that began to form gradually from the second half of the 18th century,focusing on revealing this myth as a deceptive and oppressive pseudo-myth constructed by the bourgeoisie to gain political and cultural dominance.
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