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作 者:司国庆 SI Guo-qing(School of Chinese Ethnic Minority Languages and Literatures,Minzu University of China,Beijing 100081,China)
机构地区:[1]中央民族大学中国少数民族语言文学学院,北京100081
出 处:《北疆文化研究》2024年第5期85-92,共8页Chinese Northern Boderland Culture Studies
基 金:国家社科基金重大项目“东北人口较少民族口头文学抢救性整理与研究”(编号:18ZDA269)
摘 要:东北文学流脉自20世纪30年代“东北作家群”步入文坛以来从未断绝且宏博不息,时下“新东北文学”的勃兴是多方因素合力的结果。面对趋于类型化的“东北故事”导致东北“被景观化”的风险,迟子建新作《东北故事集》呈现出的“全观东北”实现了有效的补充和纠偏。调度有力的叙事节奏、精巧细密的细节设计以及“麦高芬”元素的设置,保证了迟子建“东北故事”的可读与耐读。The literary tradition of northeast China has remained unbroken and continuously flourishing since the emergence of the northeast writer group in the 1930s.The current rise of new northeastern literature is the result of multiple contributing factors.In response to the risk of the northeast story becoming stereotyped and turning the region into a mere spectacle,Chi Zijian's new work Northeast Story Collection provides a comprehensive view of the northeast,offering an effective supplement and correction.The compelling narrative pace,intricate detail design,and the inclusion of MacGuffin elements ensure the readability and lasting appeal of Chi Zijian's northeast stories.
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