宋代禅林诗学论纲  

An Outline of Zen Buddhist Poetics in the Song Dynasty

作　　者：张勇[1] 张公达 ZHANG Yong;ZHANG Gongda(Research Center of Chinese Poetics,Anhui Normal University,Wuhu Anhui 241002,China)

机构地区：[1]安徽师范大学中国诗学研究中心,安徽芜湖241002

出　　处：《安徽师范大学学报(社会科学版)》2025年第2期39-46,共8页Journal of Anhui Normal University(Soc.Sci.)

基　　金：国家社会科学基金重点项目“历代释家文论文献集成与综合研究”(22AZW011)。

摘　　要：禅林诗学系指出家僧众的诗歌理论与批评。宋代,随着士林诗话与禅林“文字禅”的盛行,禅师们在积极从事诗歌创作的同时,又以空前热情从事理论探讨与批评,从而促进了禅林诗学的繁荣。宋代禅林诗学文献资料十分丰富,存在形态多种多样,不但有诗论专著与专篇,而且有大量存在于笔记、僧传、灯录、语录、类书、辞典中的零散且珍贵的文献。宋代禅林诗学是传统诗学与佛教文化相互融合的结晶,有一套独具特色的话语体系,具有重要的文献价值、理论价值与文化价值。Zen Buddhist Poetics refers to the poetic theory and criticism of the monastic community.In the Song Dynasty,with the prevalence of scholars'poetry talks and Zen Buddhist's"textual Zen",Zen masters not only actively engaged in poetry creation but also passionately pursued theoretical exploration and criticism with unprecedented enthusiasm,thus promoting the prosperity of Zen Buddhist Poetics.The literature on Zen poetry in the Song Dynasty is very rich,with various forms of existence.There are not only treatises and specialized articles on poetry,but also a large number of scattered and precious documents that exist in notes,monk biographies,lamp records,quotations,encyclopedias and dictionaries.The Zen poetry of the Song Dynasty represents the fusion of the integration of traditional poetics and Buddhist culture,with a unique discourse system and important literary,theoretical,and cultural value.

关 键 词：禅林诗学 佛学化 儒学化 

分 类 号：I206.09[文学—中国文学]