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作 者:肖锟[1] 覃伟伟 XIAO Kun;QIN Weiwei(College of Fine Arts,Xinjiang Normal University,Urumqi 830054,China;College of Fine Arts and Design,Changji University,Changji 831100,China)
机构地区:[1]新疆师范大学美术学院,新疆乌鲁木齐830054 [2]昌吉学院美术与设计学院,新疆昌吉831100
出 处:《印染》2025年第3期90-93,共4页China Dyeing and Finishing
基 金:2021年度教育部人文社会科学研究青年基金新疆项目“乡村振兴战略下新疆柯尔克孜族传统纹样创新设计与市场赋能研究”(21XJJCZH002)。
摘 要:非遗文化具有极高的历史、人文及艺术价值,能为舞台剧服装设计提供创新思路。设计师从非遗文化中汲取灵感,并将其创新应用于舞台剧服装设计中,不仅能创新传承非遗文化,还能提升舞台艺术的审美价值,更能深度刻画人物形象。在舞台剧服装设计中融入非遗文化,设计师需要秉承尊重并保护非遗文化的理念,从舞台剧主题、角色定位、舞台效果等方面出发,采用科学合理的融入策略,从非遗文化色彩、图案、服饰文化、文化内涵、材料等方面实现两者的巧妙融合,力求为舞台艺术增加艺术感染力,实现传统与现代的和谐交融。Intangible cultural heritage shows extremely high historical,humanistic and artistic value,which can provide innovative ideas for the costume design of stage plays.Designers draw inspiration from intangible cultural heritage and creatively apply it to the costume design of stage plays,which can not only innovate and inherit the intangible cultural heritage,but also enhance the artistic aesthetic value of stage art,and deeply depict the characters.In order to integrate and inherit the intangible cultural heritage in the costume design of stage plays,designers should adhere to the concept of respecting and protecting the intangible cultural heritage,adopt scientific and reasonable integration strategies from the aspects of the theme,role positioning and theatricst to realize the clever integration of the two from the aspects of color,pattern,clothing culture,cultural connotation and material of intangible cultural heritage,and strive to increase the artistic appeal of stage art and achieve the harmonious blend of tradition and modern.
分 类 号:TS941.2[轻工技术与工程—服装设计与工程]
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