画脉诗禅已并传——项圣谟、张琦《尚友图》图像研究  

The Convergence of Painting and Zen Poetry--An Image Study of Xiang Shengmo and Zhang Qi s Shangyou Tu

作　　者：沈蕾 Shen Lei(Jiaxing Federation of Literary and Art Circles,Jiaxing,Zhejiang 314001)

机构地区：[1]嘉兴市文学艺术界联合会,浙江嘉兴314001

出　　处：《嘉兴大学学报》2025年第2期5-14,共10页Journal of Jiaxing University

摘　　要：由明末清初嘉兴画家项圣谟、张琦合绘的《尚友图》,再现了项圣谟与董其昌等一众师友在其嘉兴家中的雅集场景,展现了画家的诗画师承,表达了文人的家国理想。以艺术史家李铸晋先生曾作过的个案分析为基础,以图像史料和文献资料为依托,分析了“尚友”二字的涵义以及画中人物与项圣谟的关系,借助图像间风格相承的共性和异同梳理出《尚友图》五个版本之间的关系,进而揭示画作背后蕴藏的时代故事和地域因素,以及“尚友”题材在文人之间的流传情况。The Shangyou Tu is jointly painted by Xiang Shengmo and Zhang Qi,painters from Jiaxing in the late Ming and early Qing dynasties.It represents the elegant gathering scene of Xiang Shengmo and his mentors and friends such as Dong Qichang at Xiang s home in Jiaxing,showing the artistic lineage of the painters and expressing the literati s ideals of family and country.Based on the case study conducted by art historian Li Zhujin and newly-discovered images and textual sources,this paper analyzes the meaning of the word“shangyou”(noble friends)and the relationships between the figures in the painting and Xiang Shengmo.By examining the stylistic similarities and differences among the images,it sorts out the relationships between the five versions of the Shangyou Tu,and then reveals the historical context and regional factors behind the painting,as well as the circulation of the theme of“shangyou”among literati.

关 键 词：《尚友图》 项圣谟 张琦 董其昌 “多胞胎” 李铸晋 

分 类 号：J212.052[艺术—美术]