明代头饰文化的发展:以金银发簪为中心  

Analysis on the Development of Headwear Culture in Ming Dynasty:Focus on Gold and Silver Hairpin

作　　者：郭翀 GUO Chong(School of Humanities and Social Science,Sungkyunkwan University,Seoul,03063,Korea)

机构地区：[1]成均馆大学人文社会科学学院,韩国首尔03063

出　　处：《文化创新比较研究》2025年第4期54-57,共4页Comparative Study of Cultural Innovation

摘　　要：头饰文化体现了社会经济基础与审美的统一,发簪是我国古代服饰系统的重要组成部分,展现了不同时期的审美追求。明代发簪的发展进入了顶峰时期,材质以金银为主并镶嵌各种宝石。该文将文献资料与出土实物资料相结合并互为对比印证,探究其形制变化背后社会风俗、矿业政策、海外贸易、工匠制度、驿路体系等各方面因素的影响。该文基于前人对明代金银发簪的命名、佩戴方式、装饰图案、制作工艺、材质,以及考古类型学的分析等方面的研究,从明代金银发簪的形态演变出发,揭示了这些变化与发展背后明代社会政治、经济和文化等多维度因素对其产生的影响。Headwear culture embodies the unity of economic foundation and aesthetics.Hairpin is an important part of China's ancient costume system,showing the aesthetic pursuit of different periods.The development of hairpins in the Ming Dynasty reached its peak.The materials were mainly gold and silver and inlaid with various gems.Through the combination of literature data and unearthed material data,this paper explores the influence of social customs,mining policies,overseas trade,artisan system,post road system and other factors behind the changes in its shape and structure.This article is based on previous research on the naming,wearing methods,decorative patterns,production techniques,materials,and archaeological typology of Ming Dynasty gold and silver hairpins.Starting from the evolution of the form of Ming Dynasty gold and silver hairpins,it reveals the multidimensional factors of Ming Dynasty society,politics,economy,and culture that have influenced these changes and developments.

关 键 词：明代 头饰文化 发簪 金银器 社会风俗 工匠制度 水陆交通 

分 类 号：J505[艺术—艺术设计]