幻中真实:《白轮船》与《爸爸爸》的寻根书写  

The Reality in Illusion:The Root-seeking Writing of White Steamer and Daddy Daddy

作　　者：郑冰倩 李亘 ZHENG Bingqian;LI Gen(School of International Studies,Zhengzhou University,Zhengzhou Henan 450000)

机构地区：[1]郑州大学外国语与国际关系学院,河南郑州450000

出　　处：《牡丹江大学学报》2025年第3期35-42,共8页Journal of Mudanjiang University

摘　　要：中俄两国山水相连,文化相通,两国文学间有着强烈的共通性。《白轮船》与《爸爸爸》这两部中俄寻根代表作品都于虚幻书写之中再现生活图景,不论从神话母题、异质空间抑或人文精神层面都可看到作者对古老文化记忆的追寻以及对民族前途命运的思考。基于中俄两国文化背景、道德观念、审美情趣等方面的差异,虽然其主题表达殊途同归,但文学呈现却不尽相同。通过文学比较研究,可以探讨两部作品主题间相通相异的背后成因,揭示其和而不同的本质特征。China and Russia are geographically contiguous and culturally connected,leading to a strong commonality between their literatures.The two root-seeking representative works,White Steamer and Daddy Daddy,both recreate life scenes through fictional narratives.From the perspectives of mythological motifs,heterogeneous spaces,or humanistic spirits,one can observe the authors'pursuit of ancient cultural memories and reflections on the future and destiny of their nations.Given the differences in cultural backgrounds,moral concepts,aesthetic tastes,and other aspects between China and Russia,although the themes converge on similar ends,the literary presentations vary.Through comparative literary studies,we can explore the underlying causes of the similarities and differences of these two works.

关 键 词：《白轮船》 《爸爸爸》 文学比较 寻根 

分 类 号：I106[文学—世界文学]