中华民族共同体意识在非物质文化遗产影像中的反映——以贵州民族题材电影为例  

The Reflection of the Sense of Community for the Chinese Nation in Images about Intangible Cultural Heritage——Taking Films Depicting Ethnic Minorities in Guizhou Province as an Example

作　　者：刘琼宇 胡宗锋 LIU Qiong-yu;HU Zong-feng(Faculty of Liberal Arts,Northwest University,Xi'an,Shaanxi 710100,China)

机构地区：[1]西北大学文学院,陕西西安710100

出　　处：《贵州民族研究》2024年第6期83-88,共6页Guizhou Ethnic Studies

基　　金：2024年贵州省教育厅高校人文社会科学研究项目“全媒体时代主流意识形态话语体系建构研究”(项目编号:2024RW156)的阶段性成果。

摘　　要：非物质文化遗产一直以来都是贵州民族题材电影的重要主题,通过对民族农耕生活、自然信仰和代际传承的书写与刻画,这些古老元素被生动复现于当代荧幕之上。作为一种话语实践方式,非物质文化遗产基于国别的政治属性与以人为核心的传播属性揭示了其与身份认同的密切相关性。贵州民族题材电影中非物质文化遗产的视觉存在方式和意义发生过程显示出民俗传统助益于民族发展的古老流变、赓续坚守和生命体认等精神,展示了贵州非物质文化遗产在促进各民族交往交流交融和铸牢中华民族共同体意识中的重要档案价值和文化意义。Intangible cultural heritage has long been a prominent theme in films depicting ethnic minorities in Guizhou.Through the portrayal of traditional agricultural life,natural beliefs,and intergenerational transmission,these ancient cultural elements are vividly demonstrated on the screen.As a form of discourse practice,intangible cultural heritage,rooted in nation-specific political attributes and human-centered communicative properties,reveals its close association with identity construction.The modes of visual representation and the evolving significance of intangible cultural heritage in films depicting ethnic minorities in Guizhou underscore the characteristics of antecedence,continuity,termination,and sequence in traditional customs,which facilitate ethnic development.This demonstrates the archival value and cultural significance of Guizhou's intangible cultural heritage in fostering interethnic exchange,interaction,and integration,thereby forging a strong sense of community for the Chinese nation.

关 键 词：非物质文化遗产 贵州民族题材电影 影像 中华民族共同体意识 

分 类 号：J943[艺术—电影电视艺术]