百年中国文艺大众化的内在逻辑及其现实意义  

The Internal Logic of the Popularization of Chinese Literature and Art in a Century and Its Practical Significance

作　　者：王本朝[1] Wang Benchao

机构地区：[1]西南大学文学院,重庆400715

出　　处：《中国文学批评》2025年第1期33-38,157,158,共8页Chinese Journal of Literary Criticism

基　　金：教育部哲学社会科学研究重大专项项目“中国现当代文学学科话语的历史谱系与体系建构”(2024JZDZ046)阶段性成果。

摘　　要：百年中国文艺不断推进文艺大众化的理论创新、创作实践及其制度建构,它主要立足于不断变革的社会现实逻辑,充分发挥文学艺术的社会价值与功能,推动文学艺术与社会时代、文艺创作与社会实践的融合与统一,体现出鲜明的人民性和实践性特点。文艺大众化是中国共产党实现文艺人民性的过程和手段,是马克思主义文论话语体系建构的基本原则。引导和发展新大众文艺是新时代中国特色社会主义文艺繁荣的重要标志,具有重大的理论价值和实践意义。In the past century,Chinese literature and art have continuously promoted the theoretical innovation,creative practice and institutional construction of the popularization of literature and art,which is mainly based on the logic of the ever-changing social reality,giving full play to the social value and function of literature and art,promoting the integration and unity of literature and art with the social era,and of literary and artistic creation with social practice,and embodying distinctive characteristics of people's nature and practicability.The popularization of literature and art is the process and means by which the CPC realizes the people's nature of literature and art,and it is the basic principle of the construction of the Marxist literary discourse system.Guiding and developing new popular literature and art is an important symbol of the prosperity of socialist literature and art with Chinese characteristics in the new era,and has great theoretical value and practical significance.

关 键 词：百年中国文艺 文艺大众化 现实意义 

分 类 号：G122[文化科学] I200[文学—中国文学]