日常生活与文学诗性之间  

Between Daily Life and Literary Poetry

作　　者：欧阳月姣 Ouyang Yuejiao

机构地区：[1]四川大学文学与新闻学院,成都610064

出　　处：《中国文学批评》2025年第1期47-54,158,共9页Chinese Journal of Literary Criticism

基　　金：教育部人文社会科学研究青年基金项目西部和边疆地区项目“‘汉字文化圈’视野下的国语运动研究”(20XJC751004)阶段性成果。

摘　　要：近年来,文学的“大众化”出现了从“为大众代言”到“大众自我言说”的变化,涌现了众多非专业作家出身的特别是处于劳动力市场下游的普通人作者,在文类上以诗歌和非虚构见长。这类写作属于当下“新大众文艺”现象的重要代表,在文学史的脉络里可以归为“文艺大众化”的一种当代回响。来自大众的自述,以及素人身份的非职业化写作,使他们的创作打通了日常生活与文学诗性之间的界限,有助于缓解数字化生存中的紧张体验,由此也吸引了庞大的读者受众群体。这些作品的书写和阅读指向一种“共情的主体”和平等友爱的共同体,体现了全民文化素养的提高和新时代文艺发展的繁荣。In recent years,the"popularization"of literature has changed from"speaking for the masses"to"the masses speaking for themselves."Many non-professional writers,especially ordinary people at the bottom of the labor market have emerged,and they are good at poetry and non-fiction.This type of writing is an important representative of the current"new mass literature and art,"and can be classified as a contemporary echo of"literary popularization"in the context of literary history.Self-narration from the masses and non-professional writing as amateurs enable their creation to break through the boundaries between daily life and literary poetry,helping to ease the tense of digital life,and thus attracting a large audience.The writing and reading of these works point to a"empathetic subject"and a community of equality and friendship,reflecting the improvement of the cultural literacy of people and the prosperity of literary development in the new era.

关 键 词：“人民性”书写 文艺大众化 新大众文艺 素人写作 

分 类 号：I206.7[文学—中国文学]