唐代令书制度考述  

A Study on the System of Imperial Edict in the Tang Dynasty

作　　者：张蒙 ZHANG Meng(School of Humanities,Shanghai Normal University,Shanghai 200233,China)

机构地区：[1]上海师范大学人文学院,上海200233

出　　处：《档案学通讯》2025年第2期91-98,共8页Archives Science Bulletin

基　　金：教育部哲学社会科学研究重大课题攻关项目“唐代文学制度与国家文明研究”(18JZD016)。

摘　　要：唐代令书制度的完备有一发展过程。高祖时期,令书可与“诏敕并行”。贞观十九年,太宗初定令书“礼式”,主要针对的是太子处分论事之书,皇太子画“令”与“日”,位置在“宣奉行”前,参照的对象是有御画的敕书。《唐六典》所记载的令书制度,在高宗时期即已修改、完善,与贞观令书已大不相同,太子御画,改为先画“日”,在“宣奉行”前;再画“诺”,在左春坊官员覆审后,取则的对象是制书。唐代令书制度的前后变化,不仅体现在御画内容上的不同,还反映其文书形态和运行机制的差异。The completeness of the Tang Dynasty imperial edict system went through a development process.During the reign of Emperor Gaozu,edicts could be issued in parallel with decree and rescript.In the Nineteen years of the Zhenguan reign,Emperor Taizong initially established the"ritual style"of the imperial edict,which mainly aimed at the book on the punishment and discussion of the Crown Prince.The Crown Prince painted the"Ling(令)"and"Ri(日)"before the"XuanFengXing(宣奉行)",and the reference object was the imperial rescript with imperial paintings.The system of imperial edicts recorded in the"TangLiuDian"had already been modified and improved during the reign of Emperor Gaozong,which was significantly different from the Zhenguan imperial edict.The Crown Prince's imperial edict changed to first draw the"Ri(日)"before the"XuanFengXing(宣奉行)"edict;Draw"Nuo(诺)"again,and after the review by the officials of ZuoChunFang(左春坊),the object of the selection is the imperial decree.The changes in the system of imperial edicts during the Tang Dynasty were not only reflected in the differences in the content of imperial paintings,but also in the differences in the form and operation mechanism of their documents.

关 键 词：令书 诏敕 御画 

分 类 号：C931.46[经济管理—管理学]