中国混声合唱中人声样态的音响造型性研究  

Study on Acoustic Modeling of Vocal Timbre in Chinese Mixed Chorus

作　　者：任佳 孙志宏 REN Jia;SUN Zhi-hong(School of Music,Jiangsu Normal University,Jiangsu Xuzhou 221000,China)

机构地区：[1]江苏师范大学音乐学院,江苏徐州810016

出　　处：《铜陵学院学报》2025年第1期76-81,共6页Journal of Tongling University

基　　金：教育部人文社会科学研究青年基金项目“新世纪中国筝乐创作探索与传播发展研究”(23YJC760097);江苏省教育科学规划重点课题“艺科共育:数字化转型视域下高校音乐教育多模态创新路径研究”(B-b/2024/01/132)。

摘　　要：中国素有“贵人声”的音乐传统,传统音乐里音色在音乐表现力构建中占据关键地位。西方合唱音乐传入中国后,挖掘混声合唱中的人声表现力成为作曲家创作时的重要关注点。文章采用理论与实践相结合的方式,深入剖析多部混声合唱谱例,分析各声部音区、组合、数量对音色、音量的影响,并结合合唱作品的内容与风格,探寻合唱作品艺术形象塑造与艺术表现力提升的根源。研究发现,创作者通过巧妙运用声部设计、音色变化、多声部结构功能以及合理的音区分配,能有效增强混声合唱的艺术感染力,为混声合唱创作与表演提供理论支撑,助力中国混声合唱艺术发展。China has a long-standing tradition of“noble voice”in its music,where timbre plays a crucial role in the construction of musical expressiveness.After the introduction of Western choral music into China,the exploration of the expressive power of the human voice in mixed chorus has become an important consideration for composers in their creative process.This study adopts a combination of theoretical and practical approaches to deeply analyze a number of mixed chorus scores,examining the impact of the range,combination,quantity of different voice parts on timbre and volume,and exploring the root of artistic image shaping and artistic expressiveness enhancement in choral works based on the content and style of the works.The findings show that by skillfully using voice part design,timbre changes,the structural functions of multiple voice parts and reasonable range allocation,the artistic appeal of mixed chorus can be effectively enhanced,providing theoretical support for the composition and performance of mixed chorus and contributing to the development of Chinese mixed chorus.

关 键 词：混声合唱 人声样态 音色音响 造型艺术 

分 类 号：J61[艺术—音乐]