从“绮丽”到“典丽”:六朝至盛唐骈体赋审美形态的转变  

From“Gorgeous”to“Classic”:The Transformation of Aesthetic Forms in Parallel Fu from the Six Dynasties to the Prosperous Tang Dynasty

作　　者：于东新[1] 王楠[1] YU Dongxin;WANG Nan(School of Literature and Journalism,Inner Mongolia Minzu University,Tongliao 028043,China)

机构地区：[1]内蒙古民族大学文学与新闻传播学院,内蒙古通辽028043

出　　处：《内蒙古民族大学学报(哲学社会科学版)》2025年第2期8-21,共14页Journal of Inner Mongolia Minzu University:Philosophy and Social Sciences Edition

基　　金：国家社会科学基金重大项目“中国骈文批评通史”(项目编号:22&ZD259)的阶段性成果。

摘　　要：“丽”作为骈体赋与生俱来的艺术形态,在六朝至盛唐经历了从“绮丽”到“典丽”的转变。“绮丽”是六朝至初唐骈体赋的基本审美形态,它与贵族趣味有着密切的关系,侧艳的宫廷书写与华美的骈体表达是士族这一创作主体的自觉选择。隋唐之际南北文化碰撞、交汇,士族意识的淡化与反骈观念的形成预示着骈体赋审美形态的新变,这种新变主要表现为典实、重气的创作取向和古拙、庄雅的骈体形式,由于盛唐骈体赋表现得最为显豁,赋风遂由此完成了向“典丽”审美形态的转变。而后,余风所及,中晚唐骈体赋延续着六朝至盛唐“绮丽”与“典丽”两种审美形态的博弈,但这不是简单的复归,而是意味着六朝审美旨趣的失落与散体化、功利化的发展。As an inherent artistic form of parallel Fu,“Li”underwent a transformation from“gorgeous”to“classic”from the Six Dynasties to the prosperous Tang Dynasty.“Gorgeous”was the fundamental aesthetic form of parallel Fu during the Six Dynasties and early Tang Dynasty,closely tied to aristocratic tastes.Royal court writing and the exquisite parallel structure were the deliberate choices of aristocratic creators.During the Sui and Tang dynasties,cultural collisions and interactions between the north and south,the weakening of aristocratic consciousness,and the emergence of anti-parallel sentiments signaled a shift in the aesthetic form of parallel Fu.This transformation was mainly reflected in a creative orientation that emphasized content and style,alongside an increasingly ancient and elegant structure.Since the characteristics of parallel Fu were most pronounced in the prosperous Tang Dynasty,the stylistic shift towards the“classic”aesthetic form was thus fully realized.Subsequently,in the middle and late Tang Dynasty,parallel Fu continued to oscillate between the two aesthetic forms of“gorgeous”and“classic”.However,this was not a simple return to earlier styles but rather signified the decline of the Six Dynasties’aesthetic aspirations and the increasing tendencies toward prose and utilitarianism.

关 键 词：骈体赋 六朝至盛唐 “丽” 审美形态 

分 类 号：I206.2[文学—中国文学]