唐代文章变革的先声——以陈子昂碑志文为中心  

The Precursor of Essay Reform in the Tang Dynasty:Centering on Chen Zi’ang’s Epitaphs

作　　者：李贵银[1] 石晓捷 LI Guiyin;SHI Xiaojie(School of Literature,Liaoning University,Shenyang 110136,China)

机构地区：[1]辽宁大学文学院,辽宁沈阳110136

出　　处：《内蒙古民族大学学报(哲学社会科学版)》2025年第2期22-30,共9页Journal of Inner Mongolia Minzu University:Philosophy and Social Sciences Edition

基　　金：国家社会科学基金重大招标项目“中国骈文批评通史”(项目编号:22&ZD259);国家社会科学基金一般项目“中国古代碑志文学编年”(项目编号:20BZW082)的阶段性成果。

摘　　要：陈子昂是公认的唐代文章变革的先驱者,他在唐初文章变革理论与实践相脱节的困境中率先破局,提出“风雅”“兴寄”的文学主张,并将其贯彻在碑志文写作中。他在碑志文中通过记叙碑主的生平际遇,评价其功业德美,抒发贤人失志主题,表达对人生遇合的哲理思索,从而丰富了“兴寄”的内涵。他的碑志文以汉魏变齐梁,取法蔡邕,以儒家标准评价人物,化用典籍中的语句,由骈趋散,复归“风雅”;他引史传写人之法入碑志,描绘人物外貌与神情,记叙时人语言,为碑志文的个性化书写探索了新路径。Chen Zi’ang is widely recognized as a pioneer of literary reform in the Tang Dynasty.Amid the disconnection between literary reform theories and practical applications in early Tang prose,he was the first to break the impasse by proposing the literary concepts of Fengya(elegance)and Xingji(inner sustenance),which he applied to the writing of epitaphs.Through narrating the lives of epitaph subjects,assessing their merits and virtues,articulating the theme of frustrated ambition among virtuous individuals,and reflecting on the philosophical implications of fate and human encounters,Chen Zi’ang enriched the connotation of Xingji.His epitaphs transitioned from the stylistic traditions of the Han and Wei Dynasties to the refined yet structured prose of the Qi and Liang periods.He followed the literary principles of Cai Yong,evaluating historical figures based on Confucian moral standards,incorporating classical references,and shifting from the ornate parallelism of earlier prose towards a more balanced and refined elegance.Additionally,he introduced historiographical narrative techniques into epitaph writing,depicting detailed physical appearances,facial expressions,and spoken language of the deceased,thereby exploring new pathways for personalized and distinctive epitaph composition.

关 键 词：陈子昂 碑志文 兴寄 风雅 史传 

分 类 号：I206.42[文学—中国文学]