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作 者:沈婷芝 Shen Tingzhi(School of Statistic and Mathematics,Shanghai Lixin University of Accounting and Finance,Shanghai 201209,China)
机构地区:[1]上海立信会计金融学院统计与数学学院,上海201209
出 处:《学术探索》2025年第2期134-141,共8页Academic Exploration
基 金:上海市教育科学研究项目(C2022008);上海市教卫党委系统党建研究会项目(2023ZX136)。
摘 要:《黑神话:悟空》作为一款以中国传统文化为背景的现代电子游戏,自发布以来在全球范围内引发了广泛关注。游戏不仅塑造了具有鲜明中国特色的文化符号,还在国际文化市场中发挥了重要影响力。然而,随着游戏的广泛传播,文化传承与全球化进程中的深层次冲突逐渐显现,尤其是在符号化、文化适应性以及商业化方面,表现出三重悖论。通过探讨这些悖论,并结合深化文化内涵、多元文化适应、跨媒介融合等策略,揭示了破解这些冲突的可能路径,旨在为中国文化在全球化语境下的传承与创新提供新的视角和实践方向。“Black Myth:Wukong”,a modern video game rooted in traditional Chinese culture,has garnered significant global attention since its release.The game not only establishes cultural symbols with distinct Chinese characteristics but also exerts substantial influence in the international cultural market.However,as the game gains widespread popularity,deep-seated conflicts between cultural inheritance and globalization have gradually surfaced,particularly manifesting in three paradoxes:symbolization,cultural adaptability,and commercialization.This study explores these paradoxes and,by integrating strategies such as deepening cultural content,embracing multicultural adaptation,and cross-media integration,reveals potential pathways to address these conflicts.The goal is to offer new perspectives and practical directions for the transmission and innovation of Chinese culture within the context of globalization.
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