艾略特与二十世纪三十年代北平诗坛——以《大公报·文艺·诗特刊》为中心  

Eliot and the Beiping poetry circle in the 1930s——Focusing on the Ta Kung Pao·Literary·Poetry Special Issue

作　　者：杨鸿宇 YANG Hongyu(Wuhan University,Wuhan 430072 China)

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《新余学院学报》2025年第1期92-98,共7页Journal of Xinyu University

摘　　要：梁宗岱主编的《大公报·文艺·诗特刊》是二十世纪三十年代新诗坛的一份重要专刊,其与法国后期象征派之间的联系一直被广泛关注。但在主要由北平诗人构成的作者群体中,大部分也曾在理论、译介、创作等活动中受到艾略特传统观念的潜在影响,并在“诗特刊”关于“新格律”“音乐性”“纯诗”等具体话题讨论中获得了进一步的融合。这反映出在旧诗传统、西方资源与新诗发展的多重坐标中,新诗诗人群体的理论探索与创作尝试。The Ta Kung Pao·Literary·Poetry Special Issue edited by Liang Zongdai,is an important special issue in the new poetry circle in the 1930s,and its connection with the late French symbolism has always been widely concerned.However,most of the writers,who are mainly composed of poets from Beiping,have been potentially influenced by Eliot's traditional ideas in theory,translation,creation and other activities,and have obtained further integration in the Poetry Special Issue on specific topics such as"new rhythm","musicality"and"pure poetry".This reflects the theoretical exploration and creative attempts of the group of new poets in the multiple coordinates of the old poetic tradition,western resources and the development of new poetry.

关 键 词：《大公报·文艺·诗特刊》 艾略特 二十世纪三十年代 北平诗坛 

分 类 号：I207.25[文学—中国文学]