博物馆展陈设计的交互与体验  

Interaction and Experience in Museum Exhibition Design

作　　者：曹星[1] CAO Xing(Sichuan Conservatory of Music,Chengdu 610500,China)

机构地区：[1]四川音乐学院,成都610500

出　　处：《包装工程》2025年第6期463-467,共5页Packaging Engineering

基　　金：2024年度“四川省高校哲学社会科学重点研究基地”:“工业设计产业研究中心”的课题—基于交互与体验的博物馆展项数字化更新研究(GYSJ2024-14)。

摘　　要：目的随着博物馆功能从传统的展示模式转向以观众为中心的体验式设计转变,交互设计的应用愈发重要。本文探讨了博物馆展陈中的交互设计如何有效应对现代观众日益增长的参与需求并提升观展体验。方法通过文献分析和实际案例研究,提出了“陌生化”体验、情感驱动的沉浸式设计、游戏化互动设计、技术快速迭代的多元互动,以及社交互动与合作体验等核心策略。通过这些策略,博物馆能够更好地细分观众需求,选择合适的技术工具并通过情感共鸣增强观众的沉浸感和互动性。结论交互设计不仅提升了博物馆展览的多样性和互动性,还为未来博物馆展陈设计提供了系统化的参考路径,拓宽了设计思维,为观众与文化之间的深度互动创造了更多可能性。As museums shift from traditional display models to audience-centered experiential design,the application of interactive design has become increasingly important.The work aims to explore the ways for interactive design in museum exhibitions to effectively meet the growing demand for engagement from modern audiences and enhance the viewing experience.Through literature analysis and case study,core strategies such as"defamiliarization"experiences,emotion-driven immersive design,gamified interactive design,diverse interactions driven by rapid technological iteration,and social interaction and collaborative experiences were proposed.By applying these strategies,museums could better segment audience needs,choose appropriate technological tools,and enhance audience immersion and interactivity through emotional resonance.In conclusion,interactive design not only enhances the diversity and interactivity of museum exhibitions but also provides systematic reference pathways for future museum exhibition design.It broadens design thinking and creates more opportunities for deep interaction between audiences and culture.

关 键 词：博物馆展陈 交互设计 体验设计 

分 类 号：TB482[一般工业技术—包装工程]