白马文化中池哥昼的传承与转化:舞剧白马寨的案例研究  

The inheritance and transformation of Chi ge-zhou in the Baima Culture:a case study of the Baima village

作　　者：赵珂欣 Zhao kexin(Xizang Minzu University)

机构地区：[1]西藏民族大学附属中学

出　　处：《藏舞蹈学》2024年第1期174-186,326,327,共15页

基　　金：2024年度绵阳哲学社会科学重点研究基地舞蹈文化艺术研究中心“白马藏族池哥昼研究”(项目编号:WDWHYS2023YB26)的阶段性成果。

摘　　要：本文探讨了白马藏族传统舞蹈池哥昼在现代舞台艺术中的传承与创新。舞剧《白马寨》通过展示池哥昼、麻昼及火圈舞等传统舞蹈,生动再现了白马藏族文化的独特魅力。本文首先介绍了池哥昼的历史背景及其在白马藏族文化和民俗中的重要地位,其次从各方面分析了池哥昼的艺术特征,最后探析了舞剧《白马寨》如何在保留传统舞蹈形式的基础上,融入现代舞台的美学元素,实现文化传承与创新发展的双重目标。笔者通过对舞剧创作过程及其舞台呈现的详细研究,总结了池哥昼在现代社会中的传承路径,并探讨了传统文化与现代艺术结合的可行性与重要性。舞剧《白马寨》的成功不仅深化了观众对白马文化的理解与认同,也为传统文化的保护与传承提供了新的思路与方法。This paper discusses the inheritance and innovation of the traditional dance of Baima Tibetans,Chi Ge Day,in modern stage art.The dance drama"Baima Zhai"vividly reproduces the unique charm of the Baima Tibetan culture by displaying traditional dances such as Chi Ge Di,Ma Di and Fire Circle Dance.This paper firstly introduces the historical background of Chi Ge Day and its important position in Baima Tibetan culture and folklore,secondly analyses the artistic characteristics of Chi Ge Day from various aspects, and finally explores how the dance drama "Baimazhai" can incorporate the aesthetic elements of the modern stage on the basis of retaining the traditional dance forms, so as to achieve the dual goals of cultural inheritance and innovative development. Through a detailed study of the creative process of the dance drama and its stage presentation, the author summarises the inheritance path of Chi Gao Di in modern society and explores the feasibility and importance of combining traditional culture with modern art. The success of the dance drama "White Horse Zhai" not only deepens the audience's understanding and recognition of white horse culture, but also provides new ideas and methods for the protection and inheritance of traditional culture.

关 键 词：白马藏族 池哥昼 传承 转化 

分 类 号：J72[艺术—舞蹈]