王安石诗歌在古代韩国的流播与经典化  

The Circulation and Classical Generation of Wang Anshi's Poetry in Ancient Korea

作　　者：崔雄权[1] Cui Xiongquan

机构地区：[1]延边大学文学院

出　　处：《中国比较文学》2025年第1期126-142,共17页Comparative Literature in China

基　　金：国家社会科学基金项目“朝鲜15世纪官撰唐宋诗文选集与中国文学关系研究”(编号:22BWW025)的阶段性成果。

摘　　要：王安石诗歌在古代韩国的流播与接受可分为高丽朝中后期的登陆期、朝鲜朝初期的兴盛期、朝鲜朝中期的沉潜期以及朝鲜朝后期的中兴期。古代韩国接受王安石诗歌,表现在三个方面:一是从慕仿到效仿再到创变,二是始于政治视阈又与文学视阈交融的理性认知与接受,三是契合韩民族的美学情感。王安石诗歌的读者受众经历了从士大夫到中人阶层再到民间的扩散,进而融入韩国古代诗歌文学的主流,以“梅花”“泊船瓜洲”“元日”为代表的经典诗歌在古代韩国至当代完成了经典化,彰显了王安石诗歌生生不息的艺术生命力,为古代韩国汉文诗歌和国文诗歌注入了新鲜血液,为国学走向世界带来了启示。The spread and acceptance of Wang Anshi’s poetry in ancient Korea can be divided into the landing period in the middle and late Goryeo Dynasty,the flourishing period in the early Joseon Dynasty,the submerged period in the middle Joseon Dynasty,and the revitalization period in the late Joseon Dynasty.The acceptance of Wang Anshi’s poems in ancient Korea is from imitation to emulation to innovation;secondly,it is the rational recognition and acceptance rooted in the political perspective and intertwined with the literary perspective;and thirdly,it is in line with the aesthetic sentiment of the Korean cultural identity.The readership of Wang Anshi’s poems has expanded from the scholar-officials to the middle class and eventually to the common folk,and has been integrated into the mainstream of ancient Korean poetry and literature,and the classic poems represented by“Plum Blossom”,“Mooring the Boat to Guazhou”and“Won-il”have completed the canonization from ancient Korea to the contemporary era,which has demonstrated the enduring artistic tension and strong vitality of Wang Anshi’s poems,injected fresh blood into the ancient Korean Han language and national poetry,and offered insights for the global dissemination of national culture.

关 键 词：王安石诗歌 仿作与再创作 人品与文品 古代韩国 

分 类 号：I207.22[文学—中国文学] I312.072[历史地理—历史学] K312.3[历史地理—世界史] G206[文化科学—传播学]