物的全球史与非洲葡语文学中的时空可能性  

Global History of Things and the Spatio-temporal Possibilities in Lusophone African Literatures

作　　者：王渊 Wang Yuan(School of Foreign Languages,Peking University,Beijing 100871,China)

机构地区：[1]北京大学外国语学院

出　　处：《外国文学研究》2025年第1期103-115,共13页Foreign Literature Studies

基　　金：国家社会科学基金重大项目“世界诸文明在印度洋地区的交流交汇研究”(23&ZD324)。

摘　　要：采用物的全球史视野,可以洞察非洲葡语国家民族文学核心关切从时间到空间的演变。安哥拉作家曼努埃尔·鲁伊的《表》和莫桑比克作家博尔热斯·科埃略的《革命博物馆》这两部小说围绕手表和汽车展开物叙事,广泛勾连了非洲葡语国家独立至今的历史事件与社会议题。非洲作家基于本土时空观念描摹物质和思想的全球流转,以口头文学对开放性、对话性的强调探索属于自身的表现形式。当今时代,众多物品在非洲迎来使用寿命的终结,让非洲与物的关系具有全球的意义,而非洲葡语文学以口头文学模拟、构想物的流转,以时空的可能性书写开拓认知全球史的新路径,在全球化背景下深化了对非洲身份和主体性的理解。Focusing on the global history of things,this study sees a change of emphasis from temporal to spatial concerns in the development of national literatures in Portuguese-speaking Africa.O relógio by Angolan writer Manuel Rui Monteiro and Museu da revolução by Mozambican writer João Paulo Borges Coelho center on watches and automobiles,respectively,intricately linking historical events and social issues from the independence of Lusophone African nations to the present.African writers,drawing from indigenous concepts of time and space,depict the global circulation of things and ideologies,exploring their unique forms of expression with an emphasis on openness and dialogue inherent in oral literature.In the contemporary era,it is in Africa that many things reach the end of their life circles,which highlights the continent’s global significance in its relationship with things.Lusophone African Literatures,by simulating and conceptualizing the circulation of things through oral literature,offer fresh insights into global history through the writing of spatial-temporal possibilities,thus deepening the understanding of African identity and subjectivity in the context of globalization.

关 键 词：物的流转 非洲文学 时空叙事 口头文学 

分 类 号：I20[文学—中国文学]