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作 者:何阚京 He Kanjing(School of Foreign Languages of Shanghai Jiao Tong University,Shanghai 200240,China)
机构地区:[1]上海交通大学外国语学院
出 处:《外国文学研究》2025年第1期153-163,共11页Foreign Literature Studies
摘 要:在《仿生人会梦见电子羊吗?》中,菲利普·迪克刻画了一个未来的非人类世界,其中非人类展现出越来越强的影响力。巴斯特作为娱乐巨头,操控公众注意力,特别是通过将默瑟的苦难包装成娱乐,诱使人们逃避末世的残酷现实,沉浸于不道德的虚假欢愉之中。仿造动物则将动物独特性转化为商品的高额利润,体现人类对生命价值的扭曲和对生命消逝的漠视。共鸣箱作为技术与宗教的结合,通过引导个体以第一视角体验默瑟的苦难实现个体与集体的同在与共情,在形成命运共同体的同时,重塑人类与非人类、自我与他者间的伦理关系。通过巴斯特、电子动物和共鸣箱这三种非人类书写,小说揭示了生态问题、消费主义和享乐主义三者相互交织、共同作用所引发的伦理危机。In Do Androids Dream of Electric Sheep?,Philip K.Dick depicts a futuristic nonhuman world where nonhuman entities exhibit increasing influence.Buster,as an entertainment mogul,manipulates public attention,particularly by turning Mercer’s suffering into a form of entertainment,luring people to escape the harsh reality of a post-apocalyptic world and indulge in an immoral,false pleasure.The creation of electric animals transforms the uniqueness of animals into profitable commodities,reflecting humanity’s distortion of life’s intrinsic value and apathy to the loss of life.The empathy box,a combination of technology and religion,guides individuals to experience Mercer’s suffering from a first-person perspective to achieve a sense of collective presence and empathy,forming a community of common destiny while also reshaping the ethical relationships between humans and nonhumans,as well as between self and other.Through the portrayals of Buster,electric animals,and the empathy box,the novel reveals the ethical crisis arising from the interplay of ecological issues,consumerism,and hedonism.
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