论明代前中期文人对李白《古风五十九首》的追摹  

Reminiscing and Imitating Li Bai's Poetry Anthology Gufeng in the Early and Middle Ming Dynasty

作　　者：张夏薇 杨许波[1] ZHANG Xiawei;YANG Xubo(School of Chinese Language and Literature,Lanzhou University,Lanzhou,Gansu 730000)

机构地区：[1]兰州大学文学院,甘肃兰州730000

出　　处：《绵阳师范学院学报》2025年第3期26-32,45,共8页Journal of Mianyang Teachers' College

基　　金：国家社会科学基金西部项目“唐代诗赋文体交互渗透研究”(23XZW004)。

摘　　要：《古风五十九首》作为李白诗歌中的重要组成部分,风格雅正自然、温柔敦厚,寄寓了李白的诗歌理想。唐宋时期对其关注较少,直至明代前中期,复古思想蔚然成风,再次出现了李白诗歌接受的高潮。明人学习与继承《古风五十九首》的热情空前高涨,主要从承袭体制、继承题材、引用诗句、借用意象与典故等方面学习模仿李白《古风五十九首》,并大力推崇其中所抒发的复古汉魏、崇尚天然的文学抱负和诗学理想。明人对《古风五十九首》的学习不仅是其复古风尚的一隅,蕴含了明人的诗学观念和审美趣味,更是对《古风》文学价值的发掘,也展现了李白诗歌风格的多面性。As an important part of Li Bai's poetry,Gufeng(59 Poems)has an elegant,natural,gentle and generous style,which conveys Li Bai's poetic ideals.During the Tang and Song Dynasties,little attention was paid to the poetry anthology till the early and middle Ming Dynasty,when retro ideas were in vogue,and another climax in the acceptance of Li Bai's poetry appeared among people in the Ming Dynasty.Mainly from the perspective of inheriting the systems and themes,quoting the poems,borrowing the imageries and allusions,etc,they tried to learn and imitate Li Ba's poems in Gufeng,and vigorously advocate the retro Han and Wei Dynasties in addition to the natural literary aspirations and poetic ideals.The study of Gufeng by people in the Ming Dynasty is not only a corner of their retro fashion,containing their poetic concept and aesthetic taste,but also their exploration of Gufeng's literary value,which shows the multifaceted nature of Li Bai's poetic style.

关 键 词：明代 李白 《古风五十九首》 追摹 诗学思想 

分 类 号：I207.22[文学—中国文学]