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作 者:蔡博卉 Cai Bohui(College of Humanities and Foreign Languages,China Jiliang University,Hangzhou 310020)
机构地区:[1]中国计量大学人文与外语学院,杭州310020
出 处:《西部学刊》2025年第5期150-153,共4页Journal of Western
摘 要:汉服起源于三皇五帝时期,经过历代发展,逐渐形成以交领右衽、上衣下裳为核心特征的服饰体系,体现着“天人合一”“协调平衡”和“阴阳五行”等传统文化观念。和服则受中国古代服饰影响,在奈良时代开始吸收唐代汉服的设计元素,并在日本本土文化的影响下逐渐发展出以平面裁剪、腰带装饰和自然主题图案为核心的特色,反映出日本对自然美的追求和民族复杂性格。通过比较发现,汉服与和服在领口、色彩、装饰及功能上存在显著差异,这些差异既反映出中日两国不同的美学取向和文化观念,也与各自的地理环境及历史背景息息相关。Hanfu originated in the period of the Three Sovereigns and Five Emperors,and through development over successive dynasties,it gradually formed a costume system with the core features of cross-collared right-lapped robes and a top-and-bottom garment style,embodying the traditional cultural concepts of“man-nature harmony”“coordination and balance”,and“yin and yang and the five elements”.Influenced by ancient Chinese costumes,the kimono began to absorb the design elements of Tang Dynasty Hanfu during the Nara Period.Moreover,under the influence of native Japanese culture,it gradually developed features centered around flat-pattern cutting,sash decoration,and natural-themed patterns,reflecting the pursuit of natural beauty and the complex national character of Japan.Through comparison,significant differences are found in necklines,colors,decorations,and functions of Hanfu and kimono,which not only reflect the different aesthetic orientations and cultural concepts of China and Japan,but are also closely related to their respective geographical environments and historical backgrounds.
分 类 号:TS941.12[轻工技术与工程—服装设计与工程]
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