声音:作为重建人的在世纽带的氛围性媒介——从《黑噪音、白噪音与幽灵之声》谈起  

Sound:The Ambient Medium to Reconstruct the Bond with Life-A Discussion Starting from Black Noise,White Noise,and the Spectral

作　　者：姜宇辉[1] JIANG Yuhui(School of Politics and International Relations,East China Normal University,Shanghai 200241)

机构地区：[1]华东师范大学政治与国际关系学院,上海200241

出　　处：《文化艺术研究》2025年第1期1-8,111,共9页Studies in Culture and Art

摘　　要：声音研究在国内方兴未艾,展现出蓬勃的发展可能。笔者结合拙作《黑噪音、白噪音与幽灵之声》及自身多年的研究经历,大致从声音的体验、艺术与思想这三个方面来对声音研究进行回顾、反思与展望。从体验上看,声音与人的生存密切相关,并进而触及主体性和宇宙论这两个贯穿微观与宏观的向度;从艺术上看,声音不仅是当代艺术发展中的一条重要脉络,更与媒介、技术等更为现实而迫切的问题直接相联;进而,从思想上说,声音又具有更为深刻的含义,它不仅是推动当代哲学转向与变革的一个重要契机,更是作为人们赖以生存的隐喻而引导我们深入思考生命政治、精神政治与算法文化等前沿议题。声音,是连接万物的纽带,也是人类脆弱的生存所直面的紧迫问题。The emerging sound studies in China shows vibrant potential.Drawing from Black Noise,White Noise,and the Spectral and past research experience,the author reviews,reflects on,and looks ahead at sound studies from three perspectives:experience,art,and philosophy.From the perspective of experience,sound is closely tied to human existence,touching on both subjectivity and cosmology,which span the micro and macro dimensions.From the perspective of art,sound is not only a significant thread in the development of contemporary art but also directly connected to more practical and urgent issues such as media and technology.Furthermore,from the perspective of philosophy,sound serves as a crucial catalyst for the shifts and transformations in contemporary philosophy and acts as a metaphor for our existence,guiding us to delve into cutting-edge topics such as biopolitics,psychopolitics,and algorithmic culture.Sound is the bond that connects everything and a pressing issue that directly confronts the fragile existence of humanity.

关 键 词：声音研究 声音艺术 氛围性媒介 主体性 隐喻 算法文化 

分 类 号：J60-02[艺术—音乐]