女性摇滚的震荡、关系性与微观政治——日本少女乐队番中的精神性体验  

The Oscillation,Bonding,and Micro-Politics of Female Rock:The Spiritual Experience in Girl Band Anime

作　　者：李雅欣 姜宇辉[2] LI Yaxin;JIANG Yuhui(Department of Arts Management,China Conservatory of Music,Beijing 100101;School of Politics and International Relations,East China Normal University,Shanghai 200241)

机构地区：[1]中国音乐学院艺术管理系,北京100101 [2]华东师范大学政治与国际关系学院,上海200241

出　　处：《文化艺术研究》2025年第1期27-39,112,共14页Studies in Culture and Art

摘　　要：《孤独摇滚!》等少女乐队番的走红,不仅是近年来引人关注的动漫潮流,而且为我们提供了反思女性摇滚的独特视角。自20世纪90年代以来,女性摇滚已然呈现出震荡、关系性和微观政治这三个主要特征,由此不仅与男性主导的传统摇滚范式产生了鲜明差异,更是敞开了朝向未来的声音与歌唱的母体。经由对三部乐队番作品的具体分析,此种母体的肯定与否定的形态得以渐次展现。而其中,否定性体验似乎更有可观之处,它不仅与列维纳斯的邻近关系、西苏的生死之间的书写、荣格的阴影概念等哲学资料形成了鲜明的共振,更是让我们有机会对“女性摇滚作为浪漫主义”这个近来颇受关注的主题进行深入的阐释与反省。Girl band anime,such as K-ON!and Bocchi the Rock!,has not only become an anime trend but also provides a reflection on female rock music.Since the 1990s,female rock has manifested three main features:oscillation,bonding,and micro-politics,not only distinguish it from the male-dominated rock paradigm but also open up a new sound and vocal expression.The analysis of three girl band anime reveals the positive and negative forms of this expression.The negative experience,in particular,resonates with philosophical concepts such as Levinas'proximity,Cixous'abyss of death,and Jung's shadow,offering profound reflections on"female rock as romanticism".

关 键 词：女性摇滚 乐队番 震荡 关系性 母体 邻近 阴影 

分 类 号：J605[艺术—音乐]