为什么是厦门班——台湾地区左翼戏剧散论  

Why the“Xiamen Class”?On Left-wing Drama in China's Taiwan

作　　者：林克欢 Lin Kehuan

机构地区：[1]不详

出　　处：《戏剧(中央戏剧学院学报)》2025年第1期120-129,共10页Drama:The Journal of the Central Academy of Drama

摘　　要：中国台湾地区(以下简称台湾)的新剧运动萌芽于1923年(民国十二年)末,初期以厦门通俗教育社出身者为主体。其发展受日本和中国现代戏剧交叉影响,而“厦门班”尤为关键。早期重要团体如鼎新社、星光演剧研究会等,骨干多为“厦门班”成员,演出的诸多剧目也源自厦门。当时,闽南新剧活动活跃,语言相近,文字相通,便于新剧在台湾地区的接受与传播。20世纪20年代,无政府主义思潮在闽南广泛传播,“厦门班”中不少成员是无政府主义者,他们通过演剧宣传新思想。在台湾地区新剧运动初始阶段,无政府主义者成为新剧运动的主导力量。台湾地区新剧是左翼政治剧,其重心在“运动”,艺术成熟尚待时日。彼时飘荡在台湾地区新剧运动上空的黑旗,正是台湾地区戏剧不同于中国内地戏剧、中国香港戏剧、日本戏剧的特色与光彩。The New Drama Movement in China's Taiwan region(hereinafter referred to as the Taiwan region)originated at the end of 1923(the twelfth year of the Republic of China).Initially,it was driven by individuals from the Xiamen Popular Education Society.The movement's development was significantly influenced by the confluence of Japanese and Chinese modern drama,with the“Xiamen Class”playing a pivotal role.Early influential groups,such as the Dingxin Society and the Starlight Drama Research Association,were largely composed of“Xiamen Class”members,and many of the plays they performed originated in Xiamen.At that time,new drama activities were particularly vibrant in Southern Fujian,and the shared language facilitated the spread of new drama in the Taiwan region.In the 1920s,anarchism spread widely in Southern Fujian,and many members of the“Xiamen Class”were anarchists who propagated their ideas through drama.In the early stages of the New Drama Movement in the Taiwan region,anarchists became dominant in the movement.The movement was a left-wing political drama,focusing on social“movement”rather than artistic refinement.Its artistic maturity was still in development.The black flag floating in the New Drama Movement in the Taiwan region represented the distinctive characteristics and brilliance of drama in the Taiwan region,setting it apart from that of China's mainland,China's Hong Kong,and Japan.

关 键 词：新剧运动 厦门班 无政府主义 演剧活动 

分 类 号：J82[艺术—戏剧戏曲]