剧场转播理念的历史溯源——NT Live与早期剧场转播的对比研究  

The Historical Origins of Theatre Broadcasting Concept:A Comparative Study of NT Live and Early Theatre Broadcasting

作　　者：周天一 Zhou Tianyi

机构地区：[1]中央文化和旅游管理干部学院

出　　处：《戏剧(中央戏剧学院学报)》2025年第1期165-173,共9页Drama:The Journal of the Central Academy of Drama

摘　　要：剧场转播诞生于19世纪末,代表性的早期剧场转播手段包括1889年出现的剧场电话、1923年出现的剧场无线电转播和1938年的剧场电视转播。本文通过NT Live与早期剧场转播的对比研究表明,人们对剧场转播的接受与反思早已开始,NT Live坚持的多机位设置、公共电影院转播等原则,都能追溯到早期剧场转播实践,NT Live的核心理念与早期剧场转播实践中形成的观点一脉相承。百年剧场转播实践表明,技术进步并未消弭现场感缺失带来的遗憾,这表明现场表演仍然无可取代。Theatre broadcasting emerged as a cultural practice in the late 19th century,with three key technological implementations:the theatrophone(1889),theatre radio broadcasting(1923),and theatre television broadcasting(1938).Through a comparative analysis of NT Live and historical theatre broadcasting methods,this paper reveals that critical discourse surrounding mediated theatrical reception originated over 130 years ago,NT Live's multi-camera cinematography and cinema distribution mechanisms constitute an evolutionary continuation of earlier broadcasting methods,its fundamental premise remains conceptually aligned with the core principles established during theatre broadcasting's formative period.Significantly,this historical trajectory reveals that technological innovations have not resolved,but rather accentuated,the persistent sense of live performance deprivation in mediated presentationsa phenomenon that ultimately reaffirms the uniqueness of in-person theatrical experience.

关 键 词：英国国家剧院现场 剧场电话 剧场转播 本雅明 

分 类 号：J89[艺术—戏剧戏曲]