“灵”与“肉”的对话:非自然叙事视域下《再见,妈妈》中母女关系探究  

The Dialogue between“Spirit”and“Flesh”:A Probe into the Relationship between Mother and Daughter in L’Ingratitude from the Perspective of Unnatural Narrative

作　　者：冯琦 Qi Feng(Research Center of Literature,Education and Cultural Communication,School of Chinese Language and Literature,Guizhou Normal University)

机构地区：[1]贵州师范大学文学院/文学·教育与文化传播研究中心,贵州贵阳550025

出　　处：《外国语言与文化》2024年第4期36-47,共12页Foreign Languages and Cultures

基　　金：国家社会科学基金青年项目“加拿大法语文学女性写作研究”(18CWW020)。

摘　　要：加籍华裔法语女作家应晨在小说《再见,妈妈》中虚构了一个叛逆女儿燕子以“弑母”行为挑战制度化母性,并意图解构父权中心主义的故事。作品建构了一个生死边界模糊的非自然故事世界,燕子的死亡和灵肉分离不仅使弥留人间的鬼魂成为等待阎罗摆渡以重获“新生”的故事参与者和推动者,还成为冲破传统伦理束缚、审视并大胆言说自己由生到死人生经历的叙述者。由此,具有理性意识却失去肉体的“灵”与存在着却失去自由意志的“肉”展开一场对话。文章将从无限循环的事件序列、灵肉分离的无主体人物和大胆言说的鬼魂叙述者三方面聚焦小说的非自然叙事特征,并探索其在揭示作品中女性主体缺失及亲子关系异化方面的作用。Ying Chen,a Chinese-Canadian female writer in french,fictionalizes in her novel L’ingratitude the story of a rebellious daughter,Yanzi,who challenges institutionalized motherhood and intends to deconstruct patriarchal centralism with her“matricide”behavior.Ying Chen constructs an unnatural story world where the boundary between life and death is blurred.Yanzi’s death and the separation of spirit and flesh not only make the dying ghost become the participant and promoter of the story waiting for Yama’s transport to get a“new life”,but also become the narrator who breaks the traditional ethical constraints,examines and boldly speaks about his life experience from birth to death.Thus,a dialogue begins between the“spirit”who has rational consciousness but has lost its body,and the“flesh”who exists but has lost its free will.This article will focus on the unnatural narrative characteristics of the novel from three aspects:the infinite cycle of event sequence,the disembodied character separated by spirit and flesh,and the bold ghost narrator,and explore their role in revealing the absence of female subjects and the alienation of parent-child relationship in the novel.

关 键 词：应晨 《再见 妈妈》 非自然叙事 母女关系 女性主体建构 

分 类 号：I711[文学—其他各国文学]