检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:周静 陈元博 Jing Zhou;Yuanbo Chen(French Language Institute,Dalian University of Foreign Languages)
机构地区:[1]大连外国语大学法语学院,辽宁大连116000
出 处:《外国语言与文化》2024年第4期107-121,共15页Foreign Languages and Cultures
基 金:辽宁省社会科学规划基金一般项目“20世纪初法文文本中的‘北京形象共述’研究”(L21BWW008)。
摘 要:北京城图从宏观上记录和表述了北京城市形态的变迁,是其空间形态演变的重要表征。从17、18世纪法国耶稣会会士的游记或书信到20世纪的北京主题法语小说,书写者依托多样性文本共同书写与绘制了“北京城图”,进而建构了北京形象的文学空间。从源起美学审视的个人记忆到共同描述的集体记忆,北京形象紧随中国形象演变史的脉络;书写者和北京城、图本和文本不断互动表现了可意象性的北京空间;文本叙事的共述性、符号体系的空间表征性,以及北京形象书写框架的建构性构成了北京形象的想象制度。The map of Peking records and expresses changes of Peking’s urban form from a macroscopic point of view,and is an important representation of the city’s spatial evolution.From the travelogues and letters of French Jesuits in the 17th and 18th centuries to the Peking-based French novels of the 20th century,,the writers wrote and drew a map of the city of Peking according to the diversity of texts,them constructed a literary space for the image of Peking.From individual memories of aesthetic scrutiny to collective memories of shared descriptions,the image of Peking follows the history of the evolution of China’s image.Between the writer and the city of Peking,the illustrated book and the text become the constant interaction to express a textualised and intentional Peking space.The co-representation of the textual narrative,the spatial representation of the symbolic system,and the constructive nature of the writing framework of Peking’s image constitute the imaginary system of Peking’s image.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.112