文翔凤、王象春、高出并称“三子”缘由与交游唱和  

The Origin of Wen Xiangfeng,Wang Xiangchun and Gao Chu Being Known as the"Three Masters"and Their Literary Interactions

作　　者：吴淑怡 周潇 WU Shuyi;ZHOU Xiao(School of Literature and Journalism,Qingdao University,Qingdao 266071,China)

机构地区：[1]青岛大学文学与新闻传播学院,山东青岛266071

出　　处：《赣南师范大学学报》2025年第2期73-79,共7页Journal of Gannan Normal University

基　　金：国家社科基金项目(21BZW198)。

摘　　要：晚明万历年间的文翔凤、王象春和高出被文坛盟主李维桢称为“三子”,出于以同调相标榜之意,李维桢为三人刻诗文合集《三子小草》进行揄扬,称其为“大家”。“三子”具有共同的复古宗尚和锐意革新的创作特征,与李维桢既坚持复古,又主张修正的诗学思想相一致。“三子”在万历后期诗文赠答频繁,互赞才华、抒发共志、表达思念等,后因仕宦异地,难以聚首,再者高出因辽阳、广宁战事两次下狱,其余二人亦受党争影响,故自天启年起不再有诗文往来的客观条件,“三子”之名也就未在当时及后世产生较大影响力。During the Wanli reign of the late Ming Dynasty,Wen Xiangfeng,Wang Xiangchun and Gao Chu were called"Three Masters"by Li Weizhen,a leading master of the literary circle at that time.With the intention of identifying and promoting their shared literary style,Li Weizhen compiled a collection of poems titled"The Anthology of Three Masters'Poems"for the three individuals,and he eulogized them,referring to them as"Great Writer"."Three Masters"shared a common advocacy for classical tradition as well as a keen determination to innovate in their literary creations,which was in line with Li Weizhen's poetic ideology that embraced both adhering to classical tradition and advocating for revision."Three Masters"exchanged poems frequently,mutually admiring each other's talents,expressing their shared aspirations,and conveying their thoughts and longings.However,due to their separate appointments in different regions,it became difficult for them to reunite.Furthermore,Gao Chu was imprisoned twice because of the wars in Liaoyang and Guangning,while the other two were also affected by factional strife.Consequently,starting from the Tianqi reign,there were no longer objective conditions for them to maintain their literary exchanges,and as a result,the name"Three Masters"did not gain significant influence during that time or in later generations.

关 键 词：李维桢 三子 文翔凤 王象春 高出 交游唱和 

分 类 号：I206.4[文学—中国文学]