“人民”话语与延安时期红色秦腔艺术实践  

The Discourse of"The People"and the Artistic Production of Red Qinqiang during the Yan’an Period

作　　者：仝广辉 TONG Guanghui(School of Literature and Media,Tongren University,Tongren 554300,Guizhou,China)

机构地区：[1]铜仁学院文学与传媒学院,贵州铜仁554300

出　　处：《铜仁学院学报》2025年第1期1-7,共7页Journal of Tongren University

摘　　要：延安时期红色秦腔作为一种深具人民性和革命性的戏剧形式,通过旧形式与新内容的结合,发挥了艺术的政治作用。它不仅是一种戏剧艺术,更是中国共产党宣传和动员人民参与革命斗争的重要工具。红色秦腔的兴起与毛泽东等革命领导人的文化战略密切相关。通过对传统戏曲的改造,红色秦腔响应了人民对新文化的需求,适应了抗战和新民主主义革命的需要。红色秦腔创作强调“人民”话语,使人民成为戏剧的主体和观众,实现了艺术为政治服务的目标。这种秦腔不仅推动了传统艺术的革新,还在延安及周边地区形成了群众文艺运动,成为鼓舞人民斗志、增强文化认同的重要力量。并且,这种艺术实践为新中国的戏剧改革奠定了基础,对后续的戏剧发展产生了深远影响。During the Yan’an period,Red Qinqiang emerged as a theatrical form deeply embedded in the people and revolutionary ideology,combining traditional forms with new revolutionary content to fulfill its political role.It was not merely an art form but also a crucial tool for the Chinese Communist Party to promote its agenda and mobilize the masses for revolutionary struggle.The rise of Red Qinqiang was closely linked to the cultural strategies of Mao Zedong and other revolutionary leaders.By reforming traditional Chinese opera,Red Qinqiang responded to the people’s demand for a new culture and aligned with the needs of both the Anti-Japanese War and the New Democratic Revolution.Its creation emphasized the discourse of"the people,"making the people both the subjects and audience of the performances,thereby realizing the goal of art serving politics.This form of Qinqiang not only advanced the innovation of traditional arts but also gave rise to a broad-based mass cultural movement in Yan’an and surrounding regions,inspiring the people’s revolutionary spirit and enhancing cultural identity.Moreover,this artistic practice laid the foundation for post-revolutionary theater reform in China and had a lasting impact on the subsequent development of Chinese theater.

关 键 词：延安时期 红色秦腔 “人民”话语 

分 类 号：I206.7[文学—中国文学]