田园劳作的诗意剪影——论唐宋诗歌对“荷锄”事象的接受与拓新  

Poetic Silhouettes of Pastoral Work:The Political Connotation and Aesthetic Value of the"Load Hoe"Event Image in Ancient Chinese Poetry

作　　者：郭蓉 GUO Rong(School of Literature,Nanjing University of Information Science and Technology,Nanjing 210044,Jiangsu,China)

机构地区：[1]南京信息工程大学文学院,江苏南京210044

出　　处：《铜仁学院学报》2025年第1期44-50,128,共8页Journal of Tongren University

摘　　要：陶渊明继承和强化了“荷锄”事象的归隐隐喻,同时赋予“荷锄”事象以诗意的审美内涵。唐诗中“荷锄”事象的诗意得以提升,政治意蕴也有所开拓。王维、孟浩然以审美的眼光对“荷锄”事象进行观照,杜甫则在“荷锄”事象中倾注了浓郁的家国情怀,白居易重在表现“荷锄”者的悲惨生活。宋诗中“荷锄”事象呈现出日常化的趋势,同时文化意蕴也有所丰富,具体表现为“荷锄”场景和日常生活相结合,以及与“书”“经”等人文意象的融合等,宋代士人对“荷锄”的向往也反映出耕读传统的演进与“仕”“隐”观念的交融。多重诗语、诗情的凝聚使得“荷锄”事象成为田园生活的重要象征,纵观“荷锄”事象的唐宋之变,不仅反映出文人审美心态的演进历程,还透露出文人政治心态的更迭。Tao Yuanming inherited and strengthened the retired metaphor of"load Hoe"event image,and endowed"load Hoe"event image with poetic aesthetic connotation.In Tang poetry,the poetic character of"load Hoe"event image has been promoted,and the political connotation has also been developed.Wang Wei and Meng Haoran observed the"load Hoe"event image from an aesthetic perspective,Du Fu poured strong feelings of family and country into the"load Hoe"event image,and Bai Juyi emphasized the miserable life of the"load Hoe"event image.In Song poetry,the aesthetic of"load Hoe"event image is further refined,and the cultural implication is also rich,which is embodied in the refined scene of"load Hoe"event image and the combination of humanistic images such as"books"and"classics".The yearning for"load Hoe"event image of Song Dynasty scholars also reflects the evolution of the tradition of farming and the integration of"official"and"unofficial".The condensation of multiple poetic language and poetic sentiment makes"load Hoe"event image an important symbol of pastoral life.The changes of"load Hoe"event image in Tang and Song Dynasties not only reflect the evolution of the literati’s aesthetic mentality,but also can probe the change of the literati’s political mentality.

关 键 词：荷锄 陶渊明 事象 仕与隐 审美性 

分 类 号：I206.2[文学—中国文学]