“写意雕塑”概念形成的逻辑进程——基于“雕塑的写意性”与“写意性雕塑”辨析  

The Logical Process of the Conceptualization of Freehand Sculpture:Based on the Distinction Between the Freehand Quality ofSculpture and Sculpture with Freehand Qualities

作　　者：吕昂 LYU Ang(School of Arts,Peking University,Beijing 100871,China;National Art Museum of China,Beijing 100871,China)

机构地区：[1]北京大学艺术学院,北京100871 [2]中国美术馆,北京100871

出　　处：《内江师范学院学报》2025年第3期117-121,共5页Journal of Neijiang Normal University

基　　金：2018年度国家社科基金艺术学重大项目“中国百年雕塑研究”(18ZD18)。

摘　　要：“写意雕塑”概念脱胎于“雕塑的写意性”与“写意性雕塑”。但三者并不等同。广义的“写意性”普遍存在于一切雕塑,故“雕塑的写意性”的主体可以视为雕塑艺术整体。“写意性雕塑”是具有写意精神与写意表达,且能令观者对其中写意性之彰显达成主观情感共识的雕塑作品。“写意雕塑”不仅是在写意的程度上高于“写意性雕塑”,更是在创作的过程中要拥有更清晰、深刻的理念自觉、本体自觉、技法自觉与文化自觉。The concept of freehand sculpture originates from the freehand quality of sculpture and sculpture with freehand qualities.However,the three are not equivalent.Freehand quality which embodies a broad sense is universally present in all sculptures.Hence the subject of freehand quality in sculpture can be regarded as the entirety of sculptural art.Sculpture with freehand qualities refers to sculpture works with freehand spirit and expression that allow its viewers to reach a subjective emotional consensus on the manifestation of freehand quality.Freehand sculpture surpasses sculpture with freehand qualities in the degree of freehand.It also requires clearer and deeper conceptual,ontological,technical,and cultural consciousness during the creative process.

关 键 词：写意雕塑 写意性雕塑 写意性 

分 类 号：J30[艺术—美术]