黄梅戏文化的历史发展与精神特质  

The Historical Development and Spiritual Characteristics of Huangmei Opera Culture

作　　者：沈梅[1] SHEN Mei(Anhui Academy of Arts,Research department,Hefei Anhui,23000,China)

机构地区：[1]安徽省艺术研究院研究部,安徽合肥230000

出　　处：《安庆师范大学学报(社会科学版)》2025年第1期33-39,45,共8页Journal of Anqing Normal University:Social Science Edition

基　　金：国家社会科学基金艺术学项目“黄梅戏与长江中下游流域文化关系研究”(21BB037)。

摘　　要：从文化的地域属性看,黄梅戏文化属于长江中下游流域文化,在长江中下游流域发端并展翼,具有吴楚文化的气质特征。从文化的历史时期、表达方式和艺术形式看,黄梅戏文化属于中国传统文化中的戏曲文化,它具有戏曲文化的总体特征。黄梅戏的发展深受长江中下游流域文化的滋养,在形式、内容、情感表达上又有着区别于其他戏曲剧种的精神个性特征,形成了独具特色的剧种风格和文化特质。The essence of Huangmei Opera culture and its uniqueness is a problem that needs to be clarified.From the perspective of cultural regional attributes,Huangmei Opera culture belongs to the culture of the middle and lower reaches of the Yangtze River,which originates and expands in the middle and lower reaches of the Yangtze River with the characteristics of Wu-chu culture.From the perspective of cultural historical periods,expression modes,and artistic forms,Huangmei Opera culture belongs to the traditional Chinese opera culture,possessing the overall characteristics of opera culture.However,deeply nourished by the culture of the middle and lower reaches of the Yangtze River,Huangmei Opera has its unique spiritual characteristics in form,content,and emotional expression that differ from other traditional Chinese operas,forming distinctively stylistic and cultural traits.

关 键 词：黄梅戏文化 历史发展 精神特质 

分 类 号：J825[艺术—戏剧戏曲]