世界话语与梁启超早期的文学观念  

World Discourse and Liang Qichao's Early Literary Concept

作　　者：刘保庆[1] LIU Baoqing(School of Journalism and Communication,Henan University of Technology,Zhengzhou Henan,450001,China)

机构地区：[1]河南工业大学新闻与传播学院,河南郑州450001

出　　处：《安庆师范大学学报(社会科学版)》2025年第1期72-77,共6页Journal of Anqing Normal University:Social Science Edition

基　　金：河南省哲学社会科学规划项目“梁启超文学观念的生成研究”(2021BWX010);“河南工业大学青年骨干教师培育计划”河南工业大学博士基金项目“新媒体与传播的情感维度”(2019SBS001)。

摘　　要：现代意义“文学”的出现,与梁启超早期的文学观念有关。梁启超创造了“世界外之世界”概念,契合了19世纪末20世纪初整个时代的精神氛围,“作为世界的文学”得以显身。“作为世界的文学”以人之局限性和共通性为基础,在文学世界和现实世界之间保持了灵活的“出入”关系,为借助文学改造世界提供了理论可能,使得文学和现实之间的关系思考更具开放性和解释力。The emergence of modern"literature"is inseparable from Liang Qichao's early contribution.Liang Qichao created the concept of"the world outside the world",which coincided with the spiritual atmosphere of the whole era at the end of the 19th century and the beginning of the 20th century,and"literature as the world"was manifested."Literature as a world"is based on human limitations and commonalities,maintaining a flexible"in and out"relationship between the literary world and the real world,providing theoretical possibilities for transforming the world through literature,making the thinking of the relationship between literature and reality more open and explanatory.

关 键 词：梁启超 世界话语 “世界外之世界” “作为世界的文学” 

分 类 号：I209[文学—中国文学]