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作 者:张欢 Zhang Huan(School of Fine Arts and Design,Guizhou Education University,Guiyang 550018,China)
机构地区:[1]贵州师范学院美术与设计学院,贵州贵阳550018
出 处:《东方论坛—青岛大学学报(社会科学版)》2025年第2期67-76,共10页Eastern Forum(JOURNAL OF QINGDAO UNIVERSITY)
摘 要:在当代现实题材长篇小说中,“乡村聚落”空间书写不仅是地理学上的叙述,还具有一定的社会学和文化学意义。作为当代现实题材长篇小说重要的书写对象,随着中国社会的发展,在“十七年”时期、新时期、新世纪三个重要的历史阶段,“乡村聚落”空间书写分别呈现依山傍水的自然形态和以“庙宇、祠堂为中心”的空间格局、出现“公路”“新房”等新质元素、传统与现代融合的差异性特征。这种差异性书写不仅反映了乡村现实社会的代际演变,也映射了乡村文化传承—新变—融合的嬗变过程。In contemporary realistic novels,the depiction of "rural settlements" as a spatial narrative is not only a geographical account but also carries significant sociological and cultural implications.As an important subject in contemporary realistic novels,the portrayal of "rural settlements" has evolved through three significant historical periods in Chinese society:the "Seventeen Years" period,the New Era,and the New Century.In these periods,the spatial depiction of rural settlements has respectively showcased natural forms nestled by mountains and waters,spatial patterns centered around "temples and ancestral halls," the emergence of new elements such as "highways" and "new houses," and the distinctive characteristics of the fusion between tradition and modernity.This differential portrayal not only reflects the intergenerational evolution of rural society but also mirrors the transformative process of rural cultural heritage,its renewal and integration.
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