中国电影学术体系的逻辑构架及其精神范式  

The Logical Framework of Chinese Cinema Academic System and Its Spiritual Paradigm

作　　者：贾磊磊 周蕾 Jia Leilei;Zhou Lei

机构地区：[1]海口经济学院南海艺术与科技学院 [2]上海大学上海电影学院 [3]中国艺术研究院电影电视系

出　　处：《电影艺术》2025年第2期20-27,共8页Film Art

基　　金：2023年度国家社会科学基金艺术学重大项目“戏剧与影视评论话语体系及创新发展研究”(项目编号:23ZD07)子课题“中国电影评论话语体系的创构和创新发展”阶段成果。

摘　　要：中国电影学术体系从总体上讲包括三个相互关联的构成部分,其一,典章制度与政策法规是学术体系建构的基础部分。它起着制度保障与行业规范的作用。其二,是包括电影创作、电影理论、电影批评、电影历史、电影教育诸方面的内容。它属于电影学科的本体范畴,是中国电影学术体系的核心部分。其三,包括学术立场、学术精神、学术道德、学术传统、学术方法这些“形而上”的重要内容。它是电影学术体系的魂灵,是体现着学术体系自律的根本所在。The academic system of Chinese cinema consists of three interrelated components in general. Firstly, the canonical system and policies and regulations are the basis for the construction of the academic system, which plays the role of institutional guarantee and industry regulation. Secondly, it includes film creation, film theory, film criticism, film history, and film education, which belongs to the ontology of the film discipline and is the core part of the Chinese film academic system. Thirdly, it includes the important “metaphysical” contents of academic position, academic spirit, academic ethics, academic tradition and academic method. It is the soul of the film academic system and embodies the fundamental self-discipline of the academic system.

关 键 词：中国电影 学术体系 时代建构 精神范式 

分 类 号：J90[艺术—电影电视艺术]