整体观与知识管理框架里的中国电影知识体系  

Chinese Film Knowledge System: Towards a Holistic View and Knowledge Management Framework

作　　者：李道新[1] Li Daoxin

机构地区：[1]北京大学艺术学院

出　　处：《电影艺术》2025年第2期28-37,共10页Film Art

基　　金：国家社科基金艺术学重大项目“中国特色电影知识体系研究”(项目批准号:22ZD10)阶段性成果。

摘　　要：电影学术体系是电影知识体系的重要分支,并在电影知识体系中呈现其学科价值和话语价值。在整体观与知识管理框架里,面向未来的人类知识与电影实践,在中国电影的深度时间与文化地层中,在人、组织与技术三位一体的管理模式里,将影人互动与人际关系当作电影知识管理主体,以电影的工艺/装置流程与媒介/思维特性为其本体,通过高质量数据与AI驱动的数字平台,生成一种具有自主性和新形态,并与人类网络空间命运共同体共生的中国电影知识体系。Film academic system, as an important branch of film knowledge system, presents its disciplinary and discourse value. The research of Chinese film knowledge system towards a holistic view and knowledge management framework needs to continue to face the future of human knowledge and film practice. It also need to take film-human interaction and interpersonal relationship as the subject of film knowledge management in the deep time and cultural strata of Chinese film and in the management framework of the trinity of human, organization and technology, and take the film's crafts/apparatus process and media/thinking characteristics as its ontology, and generate an autonomous and new form of Chinese film knowledge system that can achieve integration and symbiosis with a human cyberspace community of shared-future through high-quality data and AI-driven digital platforms.

关 键 词：整体观 电影知识管理 中国电影知识体系 本体 

分 类 号：J90[艺术—电影电视艺术]