现实镜湖、公共话语与时代刻度:2024年中国电影创作分析  

Realistic Mirror, Public Discourse, and Temporal Markers: Chinese Cinema in 2024

作　　者：丁亚平 王婷 Ding Yaping;Wang Ting

机构地区：[1]中国传媒大学艺术学部 [2]北京电影学院 [3]武汉大学艺术学院

出　　处：《电影艺术》2025年第2期71-79,共9页Film Art

摘　　要：2024年的中国电影展现出多元化的叙事路径与丰富的表达方式。喜剧片以反讽和荒诞直面社会问题,现实题材借由个体叙事书写时代情绪,女性叙事用多维视角深入探索性别表达的可能性,历史题材通过对记忆与情感的深度挖掘为影像注入厚重感。类型片延续工业化路径,以成熟的视听语言强化叙事张力。文艺片在边界探索中努力拓展思想空间。作为文化实践的中国电影,试图开辟新的叙事疆域,为复杂的现实注入更多思考维度,呈现出深远的文化价值。The Chinese cinema of 2024 demonstrates diverse narrative paths and rich modes of expression. Comedy films employ irony and absurdity to directly confront social issues, while realist narratives use individual stories to capture the emotional contours of the times. Women-centered stories delve into the possibilities of gender expression through multidimensional perspectives, and historical films deepen memory and emotional resonance to imbue their images with a sense of gravity. Genre films follow industrialized pathways, leveraging sophisticated audiovisual language to enhance narrative tension, while art films explore the boundaries of storytelling to expand intellectual horizons. As a form of cultural practice, cinema strives to carve out new narrative territories, injecting complex realities with deeper reflections and revealing its profound cultural significance.

关 键 词：喜剧机制 现实题材 女性叙事 类型 实验性 

分 类 号：J90[艺术—电影电视艺术]