义气、坎普与同人:香港黑帮片男性气质的变迁  

Yi-qi,Camp and Slash-fiction:The Changing Masculinity of Hong Kong Gangster Films

作　　者：张春晓[1] Zhang Chunxiao

机构地区：[1]苏州大学文学院

出　　处：《电影艺术》2025年第2期89-96,共8页Film Art

摘　　要：以《英雄本色》为代表,香港黑帮片的男性气质呈现为一种“过度表达”的义气美学,这与其前身武侠/功夫类型以及中国通俗文艺传统有关。20世纪90年代中期“古惑仔”系列和银河映像的作品体现出试图延续又自我反讽的姿态,对应着现实中香港地区政治经济和主体意识的变化。近年来观众将黑帮片的男性气质视作坎普趣味,倾向于将男性之间“感伤主义”的抒情解读为同性暗示,而《九龙城寨之围城》的成功则在一定程度上有赖于以女性粉丝为主体的同人文化。Hong Kong gangster films started with A Better Tomorrow,in which masculinity is an"over-expressed"sense of friendship aesthetics,which is related to its predecessor Wuxia/Kung Fu genre and the traditional Chinese popular literature tradition.In the mid-1990s,the Young and Dangerous series and the films of"Milky Way"tried to continue Yi-qi with a self-irony attitude simultaneously,corresponding to the changes in Hong Kong's of China political economy and subject consciousness in reality.In recent years,audiences have interpreted the masculinity of gangster films as camp fun,and tend to interpret the lyricism of"sentimentalism"between men as homosexual allusions.Moreover,the success of Twilight of the Warriors:Walled In depends on the slash fiction culture with female fans as majority.

关 键 词：香港黑帮片 男性气质 义气 坎普 同人 

分 类 号：J90[艺术—电影电视艺术]