实在的回归:后疫情时代平民电影的创伤叙事  

The Return of the Real: On the Trauma Narrative in Common People's Cinema in the Post-Pandemic Era

作　　者：王音洁 Wang Yinjie

机构地区：[1]中国美术学院电影学院导演系

出　　处：《电影艺术》2025年第2期97-102,共6页Film Art

摘　　要：2024年末,平民风格电影赢得瞩目。几部小成本电影反宣发而行,得到市场肯定。这批电影除符合平民电影一贯特征之外,还带有后疫情时代的新质:对创伤经验的书写和对记忆伦理的展现。在当下电影市场的困局中,这种新质意味何在?在加速迭代、共识难建的自媒体时代,电影突围而出,回归实在,超越现实困境,成为传递创伤记忆、消弭对立情绪、建构对话关系、赢得彼此承认与和解的通道。中国电影焕发出它能动、有生机的样貌,这是宽阔的现实主义。At the end of 2024, small-budget films with a populist narrative style gained attention, having gone against the publicity and have been recognized by the market. In addition to conforming to the usual characteristics of civilian cinema, these films also have a new quality in the post-pandemic era: the writing of traumatic experiences and the presentation of the ethics of memory. What does this new quality mean in the current predicament of the movie market? In the age of personal media, which is characterized by accelerated iteration and difficulty in building consensus, cinema has broken through, returned to the real world, transcended the dilemma of reality, and become a channel for transmitting traumatic memories, dissolving antagonisms,constructing dialogues, and winning mutual recognition and reconciliation. Chinese cinema has taken on a dynamic and vibrant look, which is the expansive realism of the Chinese cinema.

关 键 词：创伤经验 承认 记忆的伦理 实在的回归 宽阔的现实主义 

分 类 号：J90[艺术—电影电视艺术]