《封神第二部:战火西岐》:人仙魔共世下的人本位及其伦理张力  

Creation of the Gods Ⅱ: Demon Force: Human-Centered Ethics and Its Tensions in a World of Gods, Immortals, and Demons

作　　者：陈旭光[1] Chen Xuguang

机构地区：[1]北京大学艺术学院

出　　处：《电影艺术》2025年第2期107-109,共3页Film Art

摘　　要：《封神第二部》致力于中国神话史诗类型打造,人仙魔混杂但“以人为本”并和谐共世,形成一个既超验又经验的共同体,在工业化程度和工业美学高度上攀上一个高峰,其对中国电影的贡献值得肯定。影片主要人物性格和行为遭遇强烈的伦理冲突,英雄成长过程中充满伦理张力。《封神》表现了中国文化的现代转化,满足了国人对神魔奇幻世界的想象力消费。世界性伦理主题的表现,使《封神》不仅是中国的,也可能是世界的。Although Creation of the Gods II faced some controversies and disappointments during the Spring Festival holiday, it successfully completed the narrative task of the second film in the trilogy. The film strives to create a Chinese mythological epic genre, blending humans, immortals, and demons,with a “human-centered” and harmonious coexistence. This forms a community that is both transcendent and experiential. The film reaches a high point in terms of industrialization and industrial aesthetics, and its contribution to Chinese cinema is worthy of recognition. The main characters in the film face intense ethical conflicts, and the hero's growth is filled with ethical tension. Creation of the Gods demonstrates the modern transformation of Chinese culture, catering to the national imagination of a fantastical world of gods and demons. Its portrayal of universal ethical themes makes Creation of the Gods not only Chinese but potentially universal.

关 键 词：以人为本 英雄成长 想象力消费 伦理张力 

分 类 号：I20[文学—中国文学]