《射雕英雄传:侠之大者》:再度重述中的认同建构  

The Legend of the Condor Heroes: The Great Hero: The Construction of Identification in Re-imagination

作　　者：张颐武[1] Zhang Yiwu

机构地区：[1]北京大学中文系

出　　处：《电影艺术》2025年第2期110-112,共3页Film Art

摘　　要：徐克的《射雕英雄传:侠之大者》是一部在“压缩”和“展开”之间对金庸原著小说的再度创作。电影用极度超现实的、大规模的战争和武打场面再度构筑了《射雕英雄传》的故事,凸显了郭靖认同选择的关键意义。电影通过草原与中原的相互对照,通过个人的超现实武功和战争机器的对照,展现了主创对原著的独特思考,也显示出其与原著和过往改编作品之间的“互文性”。通过现代电影技术与传统武侠美学的结合,电影为这个经典故事赋予了新的时代内涵和艺术价值。Tsui Hark's The Legend of the Condor Heroes: The Great Hero is a re-imagining of original novel that is a balance between “compression”and “unfolding”. The movie re-constructs the story of The Legend of the Condor Heroes with extremely surreal, large-scale war and martial arts scenes, highlighting the crucial significance of Guo Jing's choice of identity. By contrasting the grasslands with the central plains, and by contrasting the surreal martial arts skills of an individual with the machinery of war, the movie demonstrates the creators' unique thinking about the original text, and also shows its “intertextuality” with the original text and previous adaptations. Through the combination of modern movie technology and traditional martial arts aesthetics, the movie gives a new era and artistic value to this classic story.

关 键 词：认同 压缩 展开 武打 

分 类 号：J90[艺术—电影电视艺术]