《蛟龙行动》:深海“太空歌剧”与知觉的后勤学  

Operation Hadal: Deep-Sea “Space Opera” and the Logistics of Perception

作　　者：王昕 Wang Xin

机构地区：[1]北京师范大学艺术与传媒学院

出　　处：《电影艺术》2025年第2期117-119,共3页Film Art

基　　金：北京市社会科学基金青年项目“新时代中国电影新力量创作与理论研究”(编号:24YTC033)阶段性成果。

摘　　要：电影《蛟龙行动》是林超贤“行动”系列的新作,在近未来的虚构情境中,采用“太空歌剧”式的双线叙事描绘了一场深海战争。影片通过全景式细节和信息超载的策略将潜艇作战呈现为一种系统奇观,并以声纳探测为中心,凸显了现代战争中围绕可见性的博弈。为了阻止名为“恒星计划”的阴谋,影片勾勒了一场拯救世界的“拆弹行动”,进行远程较量的潜艇部队和负责近身搏斗的蛟龙小队相互配合,展现了通过集体的智慧和勇气确保成功的中国式英雄形象。Operation Hadal is set in a near-future fictional scenario and adopts a “space opera”-style dual-line narrative to depict a deep-sea war.Submarine warfare is framed as a systemic spectacle, with sonar detection at its core to underscore the contest over visibility in modern warfare. The film presents a world-saving “bomb-disposal operation”, in which submarine forces engaged in long-range confrontations cooperate with the Jiaolong Squad responsible for close-quarter combat. This collaboration portrays a Chinese-style heroism that relies on collective wisdom and courage to ensure success.

关 键 词：林超贤 核潜艇 太空歌剧 知觉的后勤学 中国式英雄 

分 类 号：J90[艺术—电影电视艺术]