“国民性”的镜与灯:从民国报刊看印度电影在中国的早期传播  

From The Perspective of Ethnicity: A Study on How Indian Films Were Firstly Shown to China through The Republican-era Chinese Press

作　　者：王乾宇 Wang Qianyu

机构地区：[1]北京大学艺术学院

出　　处：《电影艺术》2025年第2期136-143,共8页Film Art

摘　　要：印度电影在中国的早期传播状况是被忽视的问题域。民国报刊中关于“印度电影”的资讯、报道和讨论大致将这一传播状况勾勒为两个阶段和四个子时期。1916年至1935年为概念形成阶段。印度电影首先通过资讯、进而通过放映形成民族电影概念。1935年至1951年为对比批评阶段。中国电影界认为印度电影的核心特征是“国民性”,并先后对其展现出求索与自省的态度。印度电影的“国民性”特征使之成为中国电影“国民性”表达的对照及范例。The early spread of Indian films in China is a neglected issue. The information, reports and discussions on “Indian films” in the Republicanera Chinese Press outline this dissemination into two phases and four sub-periods. 1916 to 1935 is the conceptualization phase. From 1916 to 1935 is the conceptualization phase, in which the concept of Indian cinema was formed first through information and then through screening. 1935 to 1951 is the comparative criticism phase. The Chinese film industry believed that the core characteristic of Indian cinema was “ethnicity character” and successively showed a searching and self-reflective attitude towards it. The “ethnicity character” of Indian cinema made itself a comparison and example for the expression of ethnicity in Chinese cinema.

关 键 词：印度电影 民族电影 民国报刊 “国民性” 

分 类 号：J90[艺术—电影电视艺术]