流动的左翼面孔:王尘无的接受史  

The Shifting Faces of the Left-Wing: A Reception History of Wang Chenwu

作　　者：宫浩宇 Gong Haoyu

机构地区：[1]南京大学文学院戏剧影视艺术系

出　　处：《电影艺术》2025年第2期152-160,共9页Film Art

摘　　要：王尘无是左翼电影运动中首屈一指的影评家,但他却具备远非左翼影评家这一头衔所能框定的多重的人生面相与心灵图景。其友人、同僚与读者更多是从文学家而非影评家的角度来谈论(认可)王尘无的。1949年后,在经历了相当长的沉寂期后,乘着学界重塑中国电影历史之东风,王尘无终于成为学人言说左翼电影乃至中国早期电影时难以忽略的一个人物。透过对王尘无的接受史的梳考,可以呈现出其之于中国电影史的主流叙述而言相对陌生的诸多面相。Wang Chenwu was a leading film critic in the left-wing cinema movement, yet his life and intellectual landscape extended far beyond the confines of this title. During his lifetime, Wang was recognized as a significant left-wing critic whose work earned the respect of his ideological opponents, while his struggles with unrequited love ultimately led to depression and ill health. After his untimely death, Wang became the subject of profound and enduring remembrance by his friends, colleagues, and readers. Following 1949, Wang entered a prolonged period of obscurity, only to be rediscovered during the scholarly revival of interest in reconstructing Chinese film history. Since then, he has emerged as an indispensable figure in discussions of left-wing cinema and early Chinese film. By tracing the reception history of Wang Chenwu, one can uncover multifaceted aspects of his legacy that remain relatively unfamiliar within the dominant narratives of Chinese film history.

关 键 词：王尘无 左翼 散文 旧体诗 接受史 

分 类 号：J90[艺术—电影电视艺术]