《文心雕龙》文体史叙事的运思方式  

The Thinking Mode of Stylistic History Narrative in The Literary Mind and the Carving of Dragons

作　　者：贾奋然[1] JIA Fen-ran

机构地区：[1]首都师范大学文学院,北京100089

出　　处：《北方论丛》2025年第2期100-108,共9页The Northern Forum

基　　金：国家社会科学基金后期项目“历代文章分体文论辑要”(23FZWB004)。

摘　　要：《文心雕龙》文体史在历时与共时、自律与他律、尊体与破体、分体与合体、古体与今体的多维律动的思维张力中运思。其构筑了历史叙事与逻辑推演统一、文体形式与文化意蕴贯通、分体文学史与文学通史互补、文体原理与针砭时弊兼济、旧说与新论折中的文体史论言说的普遍结构模式,保证了历史叙事的稳定性、持续性、发展性和整体性,彰显着鲜明的民族思维特质和独特的价值取向。深入剖析刘勰文体史话语生成的思维路径,有助于揭示中国古代文体史运思的一般性思维特征。The stylistic history in The Literary Mind and the Carving of Dragons operates within the multidimensional dynamic tension of thinking across diachronic and synchronic,autonomy and heteronomy,respect for genres and genre-breaking,genre division and genre integration,ancient genres and modern genres,which constructs a universal structural model for the discourse of literary genre history that unifies historical narrative with logical deduction,connects literary genre forms with cultural connotation,complements genre-specific literary history and general literary history,and combines genre principles with criticism of current ills,as well as reconciles old and new theories.This ensures the stability,continuity,development and integrity of historical narrative,highlighting distinct national thinking traits and unique value orientations.A thorough analysis of Liu Xie's thinking path in generating the discourse of genre history is conducive to revealing the general thinking characteristics of Chinese ancient stylistic history.

关 键 词：文体史叙事 运思方式 思维张力 多维律动 

分 类 号：I206.2[文学—中国文学]