闽台古建装饰艺术中的“海丝”图像文化探论  

Exploring the “Maritime Silk Road” Visual Culture in the Decorative Arts of Ancient Architecture in Fujian and Taiwan

作　　者：吴巍巍[1,2] WU Weiwei

机构地区：[1]福建师范大学闽台区域研究中心,福建福州350007 [2]福建师范大学图书馆,福建福州350117

出　　处：《福建师范大学学报(哲学社会科学版)》2025年第2期138-147,171,172,共12页Journal of Fujian Normal University:Philosophy and Social Sciences Edition

基　　金：2018年度国家社会科学基金冷门“绝学”重大专项项目“台湾古建装饰艺术的抢救、保护与传承研究”(2018VJX061)。

摘　　要：闽台地区数以万计的古建筑中留存着大量形态各异的装饰艺术作品,其中表现较为突出的一类装饰艺术呈现着与“海上丝绸之路”相关的图像与元素。这些关于“海丝”图像主题的装饰艺术承载着闽台地区民众对美好生活的向往与精神追求,蕴含着深刻反映时代历史文化的思想内涵,具有典型的地域性特征与异质文化交融印记。它们不仅丰富了中国传统建筑装饰工艺的内容,也折射出海峡两岸尤其是东南沿海地区那种沦肌浃骨般的开放精神与海洋气质,造就了中外文化交流的“多元化”融合发展景观。Tens of thousands of ancient buildings across the Fujian-Taiwan region preserve a wealth of diverse decorative artworks,among which a prominent category features images and elements related to the“Maritime Silk Road”.These artworks,centered on“Maritime Silk Road”visual themes,embody the local people's aspirations for a better life and their spiritual pursuits,while bearing profound ideological connotations that reflect the historical and cultural milieu of their era,exhibiting distinctive regional characteristics and marks of heterogeneous cultural fusion.These artworks not only enrich the repertoire of traditional Chinese architectural decoration techniques,but also reflect the deep-seated openness and maritime ethos prevalent across the Taiwan Strait,particularly in the southeast coastal areas,fostering a diversified landscape for the integrated development of Sino-foreign cultural exchange.

关 键 词：闽台 古建筑 装饰艺术 海上丝绸之路 图像文化 

分 类 号：J305[艺术—美术]